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Steve Reich & Terry Riley - Six Pianos / Keyboard Study #1

Steve Reich & Terry Riley - Six Pianos / Keyboard Study #1

ProgramAmerican Ballet TheatreJulie Kent, Susan JaffeAngel Corella, Ethan StiefelGriff Braun, Keith RobertsOksana Konobeyeva, Ekaterina ShelkanovaMaxim Belotserkovsky, Marcelo Gomes, Giuseppe Picone, Sean StewartI. Kent, CorellaII. Jaffe, StiefelIII. Roberts, Braun with Jaffe, Kent, Stiefel, Corella and Konobeyeva, Shelkanova, Belotserkovsky, Picone, Gomes, StewartConductor: Ermannio Florio Ballet Mistress: Stacy Caddell Costumes Executed By Barbara MateraFrom original program: "This ballet is dedicated to the memory of Bob Patino. The choreogrpaher wishes to thank Stacy Caddell, Alexander Kølpin, Kelly Cass and Tom Gold for their contribution."  DescriptionKnown By Heart is a compilation of three dances that, when performed together, presents a broad spectrum of music and movement. The opening duet, set to Mozart’s “Danse Allemande,” is a display of counterpoint, infused with folk and social dance references.Junk Duet makes up the second section. Donald “The Junkman” Knaack’s percussive score, played entirely on recycled materials, is an abrupt departure from the Mozart.The third section is set to Steve Reich's minimalist composition “Six Pianos.” Two men perform in mirrored unison; their duet forms the bass line on which the other dancers enter and exit in variations of earlier material. PhotosVideoMusicDanse Allemande Composed by Wolfgang Amadeus Mozart Transcribed by Robert E. Fertitta Orchestration reconstructed by Anthony SbordoniJunk Music Written and performed by Donald Knaack Six Pianos  Composed by Steve Reich Published by Hendon Music Inc., a Boosey & Hawkes companySix Pianos  By Steve ReichPerformance HistoryPremiere performance Additional performances on November 5 & 7-8, 1998 



Preview & purchase the score from MusicSpoke here: http://bit.ly/spiritusmundi. Spiritus Mundi was commissioned & premiered by Suzi Digby, OBE and the Golden Bridge Consort as a contemporary reflection of the Orlando de Lassus motet Timor et tremor. Spiritus Mundi sets a text by contemporary poet Amy Fleury. Fleury’s poem is secular but still spiritual, reflecting […]This piece contains a harmonic language that is both lyrical and overwhelming in its expansiveness. It moves like a glacial Irish jig, engulfing the audience while maintaining an internal rhythmic energy. Performed by C4: The Choral Composer/Conductor Collective – Conductor, Martha Sullivan. Find this recording on C4’s latest album, C4: Cornerstones.A beautiful and haunting setting of psalm 55 that reflects the deeply emotional and personal way David speaks to God. It can be performed with a full choir or trio. Six part mixed chorus Audio credit C3LA, David Rentz, ConductorA lyrical setting of the Alleluia with an underlying ostinato chant that is both solemn and passionate. This is a stirring piece and makes a powerful opening number. It can be a cappella or with an optional organ accompaniment. Four part mixed chorus Audio Credit: Recorded live at the London Festival of Contemporary Church MusicThis piece can be best described as “warm minimalism”: lush, expressive textures luxuriate from repeated, short, melodic phrases, sounding not unlike a choir put through a delay pedal. These textures support two soloists who sing of the ecstasy and melancholy of first love. This piece can serve as an introduction to aleatoric notation and more […]Fast paced and energetic, this danceable piece incorporates foot stomps and spoken text interspersed with catchy melodies. It is a movement from the larger cantata Tse Go La. A great piece for teaching rhythmic precision that is a favorite of both singers and audience. Three part treble chorus with Divisi and piano accompaniment Audio Credit: […]This meditative setting of Emily Dickinson’s poetry creates a beautiful, distant, and abstract atmosphere. This piece layers repeating lines and culminates in the full recitation of the short poem in the bass. The effect is both engaging and transportive. It’s simple to perform for just about any ensemble and a captivating concert opener. Five Part […]A fun and energetic piece with a rhythmic melody that gets bounced back and forth between the different sections of the choir. It’s an absolute crowd-pleaser that works particularly well as a closing or encore number. It’s also well suited for collegiate, advanced high school groups, or a quartet looking for a challenge. Four Part […]An eclectic mix of spoken word/chant and fun rhythmic harmonies, this nonsense piece can be updated for both mixed choir or men’s ensemble. Four Part Mixed Chorus / Four Part Men’s Chorus Audio Credit: Produced by See-A-Dot Music Publishing, inc. Recorded by Bohemian Highway, David Harris – Conductor, 2013 Genghis KhanFrom it’s opening chant like section to energetic ending, Golden Callings is an evocative setting of a beautiful text. The whole piece feels like a narrative told from a masterful storyteller. Great for a collegiate chamber women’s ensemble or professional group. Four Part Treble Chorus Audio Credit: Live performance by Lorelei Ensemble (www.loreleiensemble.com); Beth Willer, […]While the lyrics for this piece are based on traditional chants from the Kalinga region of the Philippines, the diverse and energetic music is an original. Each section has its own unique rhythm that builds through a series of interlocking chants to the climactic finish. Eight Part Mixed Choruso Audio Credit: Performed by ONE Chamber […]“A Dream” from “Three Poems of William Blake” composed by Trevor Shaw. SATB divisi, a cappella. Sung by New World Voices, Clinton Bray, conductor.A remarkably effective and haunting piece capturing the arid soul of the southwest desert and its encroaching urbanization. This piece demands a high caliber ensemble willing to tackle tough harmonies and interlocking rhythms, but the payout and audience response it absolutely worth it. Eight Part Mixed Chorus Audio Credit: Recorded by C4: The Choral Composer/Conductor […]Like much of Toby’s music, this piece is uncategorizable and sits somewhere between rock, folk, and choral music. It’s undeniably fun and an audience favorite. The yodeling counter-tenor solo can also be done by an Alto; it’s great for ambitious large ensembles or with one on a part. Five Part Mixed Chorus with Counter-Tenor SoloCinematic and epic, this wordless piece has a heavy metal vibe to it. The piece is an exploration of timbres for the voice that combines minimalist elements with droning harmonies and syncopated rhythms. It is a one of a kind experience for adventurous choirs. It’s a great way to get ‘out of the box’ and […]Composer: Einojuhani Rautavaara (October 9, 1928 – ) Orchestra: Leipzig Radio Symphony Orchestra conducted by Max Pommer 00:01 Movement I – The Bog 06:53 Movement II – Melancholy 10:46 Movement III – Swans MigratingJoaquín Mendoza Sebastián “…back in Montreal, Ginger was a baker” for two pianos, 2013 Performed by Piano Pinnacle: Deborah Grimmett & Iman Habibi=) the fourth lesson, enjoy!! =) la cuarta lección, que la disfruten!!!Lesson # 3, Enjoy!! and thanks a lot! =) Lección # 3, disfrútenla y ¡¡muchas gracias!! www.joaquinmendoza.net …yes, dotted notes came out without their dots….blame Sibelius…Sketch is a very short composition written for the WES Orchestra. It is a draft idea for a larger piece entitled “Narcissistic”.Composed for and performed by the Citywinds this wind quintet was first performed in San Francisco at Cowell Theater, Fort Mason Center in 1995. The Citywinds: Esther Landau, flute Laura Reynolds, oboe Jim Freeman, clarinet Alison McKee, horn Marcuselle Whitfield, bassoon SIX MINUTES THIRTY SECONDS (1995) explores Afro-Cuban rhythmic patterns called montuños. The montuño is […]A group of 3rd graders from San Francisco, CA listened to the opening bars of Beethoven’s Grosse Fuge,Op. 133 and created their own graphic scores to what they heard. A collection of these fantastic notations – ranging from arrows to squiggles to dinosaurs – was then given to Friction Quartet to perform. Here is their […]0:23 – I.) sleepy / early winter morning / stars in the sky 3:11 – II.) sunflower / the bell ring / a bee spreading pollen 7:04 – III.) hiccups / growing up / country mist 9:38 – IV.) the sound of chimes exploding / a blossom floating through the wind 13:32 – V.) waves […]Seven original graphic compositions for band, written and performed by fourth and fifth graders. Composers: 4th and 5th graders from Zion Lutheran School (San Francisco, CA) – Danny Clay, music teacher Performers: 4th and 5th grade bands from Hood Elementary School and LD Batchelder School (North Reading, MA) – Kristen Dye, music teacher / conductor […]Performed by Bridget Douglas (flute), for Stroma, at Marama Hall, University of Otago, 11 November 2013. Shené Holtzhausen (camera), Stephen Stedman (audio), Chris Watson (film edit). This film was made as part of the Resound project at SOUNZ, with funding from NZ On Air. For programme note, composer biography, score sample, performance history and more, […]Cornelus Cardew opus magnum’s Treatise. As i prepared it for a concert in 2013 and needed something to take care of the page turning , i got the idea to use Metasynth to hear how it can sound. After some plug in effects i got this monstruous piece, surely the harshest i ever compose. Main […]In the 70’s, Rainer Wehinger created a visual listening score to accompany Gyorgy Ligeti’s Artikulation. I scanned the pages and synchronized them with the music. Enjoy!Performer Info – 3:49 Please donate to Gerubach’s Scrolling Score Project by going to http://www.gerubach.comImagine YouTube, but for New Music. Yup. Submit your videos!Your Email Video URL Video Title Video Description Tags 9-5=?





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